10 Best Wide Angle Lens For Canon EOS 2022 – Reviews

This post was most recently updated on May 14th, 2022

Best Wide Angle Lens For Canon EOS

Choosing the Best Wide Angle Lens For Canon EOS for your needs can be tricky. Canon’s EOS EF (Electro-Focus) lens mount stretches back to 1987 and its EF-S mount has been around since 2003, so there are hundreds of different lenses available for the system. New lenses are still being added to the lineup all the time, as well.

The good news is that Canon’s long history of making great glass means you can find a wide variety of lenses that will fit almost any photographic situation. The bad news is that it can take quite a while to research all of those lenses and decide which ones will work best for you.

Read Also: 10 Best Wide Angle Lens For Canon T4i 2022 – Reviews

To make it a little easier, we’ve selected some of the very Best Wide Angle Lens For Canon EOS. Below is the list of lenses:

The Canon RF 24-105mm f/4L IS USM Lens is a wide to short telephoto zoom lens with a constant f/4 maximum aperture and image stabilization. It is the second RF-mount lens introduced by Canon, and it’s a highly attractive option for EOS R owners in need of an all-purpose lens.

The RF 24-105mm F4 L IS USM has a lot going for it, but I find it to be a bit too large for my liking. The barrel is about 1 inch longer than the similar EF 24-105mm F4 L IS II USM lens, although it is also slightly narrower. And while the RF 24-105mm F4 L IS USM weighs 1.5 ounces less than its EF equivalent, it is still 16 ounces heavier than the much older EF 24-70mm f/2.8L II USM lens and almost twice as heavy as the new Sigma 24-70mm F2.8 DG DN Art Lens.

But what makes this lens extra heavy is that most of it reside behind the camera mount, including the zoom mechanism and image stabilization units. That makes balancing this lens on your camera especially challenging when using your right hand to hold the camera body.

The Canon EF 50mm f/1.2L USM Lens is the top-of-the-line standard focal length lens in the Canon EF line, with an f/1.2 aperture. The large maximum aperture allows photographers to isolate their subjects from distracting backgrounds by rendering them out of focus and to capture images in extremely low light situations without using flash or other artificial lighting.

In addition, the fast focusing speed of the EF 50mm f/1.2L USM makes it ideal for use as a portrait lens by allowing photographers to take advantage of shallow depth-of-field effects and selective focus.

The lens is equipped with a ring ultrasonic motor (USM) which ensures quick and silent autofocus operation and enables full-time manual focus override by simply turning the focusing ring on the lens barrel. Like all L-series lenses, this high-performance beauty is constructed to exacting standards and is dust and moisture resistant.

The Canon EF 50mm f/1.2L USM Lens has a 35mm equivalent focal length of 80mm when attached to a 1.6x crop sensor camera, such as the Canon EOS 60D DSLR and it has a 35mm equivalent focal length of 64mm.

The RF 15-35mm f/2.8L IS USM is the first Canon RF lens that I’ve had the opportunity to review. It’s a great lens and already in my bag, but there are some things you need to know about it before you decide to get one for your camera.

Canon has been making a lot of noise about their new line of mirrorless RF cameras and lenses, but they have been pretty quiet about the RF 15-35mm f/2.8L IS USM lens. Well, now that I’ve had a chance to review the lens, I can tell you that it’s a great lens and already in my bag. But there are some things you need to know about it before you decide to get one for your camera.

If you’re looking for a wide-angle zoom lens, the Canon RF 15-35mm f/2.8L IS USM is the one for you! The focal length range is perfect for landscapes, cityscapes, architecture, and more. The constant aperture of f/2.8 makes it easy to shoot in low light conditions and with fast shutter speeds if you want to blur out moving subjects.

The Canon RF35mm F1.8 IS Macro STM Lens is a compact, versatile lens for EOS R series cameras. It features a 0.5x magnification ratio, a maximum magnification of 0.5x, and the closest focusing distance of 0.17m.

The 35mm focal length allows you to use the lens for everyday shooting situations and it has a control ring that allows you to adjust exposure compensation, shutter speed, aperture, or ISO sensitivity setting quickly. This lens uses Canon’s Nano USM technology that combines the benefits of a ring-type USM and STM to achieve high-speed autofocusing that’s ideal for stills and video capture.

When taking photos with this lens, you’ll enjoy smooth and quiet continuous AF during video recording as well as when shooting photos. The lens also offers up to 5 stops of image stabilization to compensate for camera shake when hand holding your camera in low light situations or when using slower shutter speeds.

In addition, the RF35mm F1.8 IS Macro STM Lens is compatible with Canon’s Drop-In Filter Mount Adapter EF-EOS R for use with circular polarizing filters or variable neutral density filters.

The Canon RF 24-70mm f/2.8 L IS USM is the first RF mount lens that was released alongside the Canon EOS R camera. It is designed to be the perfect match for this new mirrorless system, and kick-off for a whole new series of RF lenses.

The L designation means this lens is built to professional standards, as it’s part of the Canon Luxury line. The price tag reflects that: this is not an inexpensive lens by any means. However, you do get what you pay for with the Canon RF 24-70mm f/2.8 L IS USM.

This is a very good zoom lens that covers a useful range while maintaining a constant f/2.8 aperture throughout its focal length range. It’s particularly well suited as a travel lens, with an optical image stabilization system that allows for handheld shooting in low light conditions even at slow shutter speeds.

The optical quality delivered by this lens is impressive, and wide open it’s very sharp in the center and close to that on the edges of the frame too. It’s also impressively distortion-free for a zoom lens, with minimal vignetting too. Its autofocus motor is fast, quiet, and very accurate.

The Rokinon AF 14mm F2.8 lens is the first autofocus lens in the company’s history. Designed for both full-frame and APS-C sized sensors, this new optic offers the same ultra-wide angle of view as the existing manual focus 14mm F2.8 lens, with all of the modern conveniences of autofocus and weather-sealed construction.

The lens boasts an aperture range of f/2.8-F/22 and a minimum focusing distance of 7.8″. It is constructed of 15 elements in 10 groups, including 1 ED lens, 2 aspherical lenses, and 4 HRI lenses to minimize chromatic aberrations and distortion, while ensuring excellent edge-to-edge sharpness. The aluminum alloy housing makes it waterproof and dustproof, as well as resistant to extreme temperatures for added reliability.

Full frame compatible with 7 diaphragm blades and ultra multi-coated glass, this ultra-wide-angle prime lens offers outstanding image quality for professionals or advanced amateurs looking to capture landscapes, cityscapes, or astrophotography with precision and clarity.

The Canon EF-S 24-240mm f/3.5-6.3 IS lens is a high-performance, large-aperture zoom lens designed specifically for EOS APS-C format DSLRs. The 10x zoom range covers the equivalent of 38-380mm focal length in 35mm format, making it ideal for travel and everyday photography. The lens features an Optical Image Stabilizer with up to 3 stops of shake correction, which makes it perfect for handheld photography at slow shutter speeds. It also features a built-in circular aperture diaphragm with seven blades, and a stepping motor (lead screw-type STM) that supports the Canon EOS Movie Servo AF function to provide smooth and quiet continuous autofocusing during video shooting.

This lens is excellent for travel and is great for getting wide-angle shots as well as zoomed-in telephoto images. As far as image quality goes, it’s quite good! There is some barrel distortion at 24mm and some pincushion distortion when fully zoomed out. But both of these are easily corrected in post-processing software such as Lightroom or Photoshop.

The focus ring is smooth and there are always two rings so you don’t have to worry about losing your place while focusing manually if you decide to use autofocus instead of manual focus later on in an event or shoot.

The Canon EF 100-400mm f/4.5-5.6L IS II USM Lens is the replacement for the very popular Canon EF 100-400mm f/4.5-5.6L IS USM Lens and improves upon its predecessor in every way. This lens update is all about image quality with improved AF performance thrown in for good measure.

The new Canon 100-400 II has a new top-notch fluorite element that contributes to a reduction in size, weight, and chromatic aberration, but most of the changes are internal with improved coatings and weather sealing being the biggest noticeable changes from an external perspective.

Internally, this lens uses one Fluorite element and one Super UD element to reduce chromatic aberrations to achieve excellent image sharpness and clarity. The lens has a nine-blade circular aperture diaphragm that provides beautiful, soft backgrounds and it has a minimum focusing distance of 3.2 ft./0.98m across the entire zoom range (which results in a maximum magnification ratio of 0.31x).

It has a zoom lock lever that can be easily engaged when you want to transport the lens and an improved zoom torque adjustment ring allows easy setting of zoom tension.

The Canon 70-300mm F4-5.6 IS USM is a high-quality telephoto zoom lens. It is designed for use with APS-C DSLRs, which have a 1.6x crop factor, so it has an effective focal length of 112-480mm.

It’s well built and comes with a lens hood and case. The lens is not sealed against dust or moisture though so it will not fare well in wet conditions. The focusing motor is near silent and smooth, making this ideal for video recording if your camera provides continuous AF mode during video recording (not the case on any Canon DSLR).

The IS system provides 2 to 3 stops of extra stability, which can be particularly useful when shooting at longer focal lengths.

It performs well in good light, but as you stop down towards F8 it gets soft in the corners until about F11 when everything is sharp again. Chromatic aberration is low (the blue and purple fringing that can occur around high contrast subjects) and there’s no vignetting (darkening of the corners). The bokeh (out of focus areas) looks good too, with a very smooth-looking background blur at wide apertures.

Rokinon 12mm f/2.0 NCS CS Lens for Micro Four Thirds (Black) is a prime wide-angle lens designed specifically for use with Micro Four Thirds sized image sensors. Providing a 35mm-equivalent focal length of 24mm and a broad 98.9° angle of view, this lens is ideally suited for architectural, interior, and landscape images.

The fast f/2.0 maximum aperture benefits working in low-light conditions while also affording increased control over the depth of field for isolating subject matter. Three extra-low dispersion elements have been incorporated into the optical design to minimize chromatic aberrations and color fringing for improved clarity and color neutrality.

Complementing the refined optical attributes, the NCS (Nano Coating System) has been applied to individual elements to reduce surface reflections and prevent lens flare and ghosting for increased contrast and color fidelity when working in strong lighting conditions. Additionally, an Ultra Multi-Coating has also been applied to limit lens flare and ghosting for maintained light transmission, clarity, and color fidelity.

The rounded seven-blade diaphragm contributes to a pleasing out-of-focus quality that benefits from the use of shallow depth of field and selective focus techniques.