10 Best Lens For Real Estate Video 2022 – Reviews

This post was most recently updated on May 14th, 2022

Best Lens For Real Estate Video

The Best Lens For Real Estate Video will be one that can shoot in 4K, has good low-light capabilities, and has a wide-angle lens with autofocus. When you’re filming a real estate video, the quality of your lens can make or break the final product.

It’s not just about getting a good picture — it’s about what kind of picture you want to get. You can use lenses to create different visual aesthetics and features in your videos, and each lens has its strengths and weaknesses.

There are many different types of lenses available for real estate video. You can shoot with a wide-angle lens for a more immersive experience, or use a telephoto lens to get up close and personal with the subject of your video. Different cameras and brands have slightly different visual aesthetics or features, but never forget that image comes through your lens first.

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for open spaces and landscapes where wide shots are needed. The wider field of view allows you to see more without moving closer to the subject. If you’re shooting outside in front of a building with a wide-angle lens on a tripod, you’ll get more context than if you shoot with a telephoto lens from across the street (which will only show part of the building). However, wide-angle lenses can distort perspective if used incorrectly.

The Samyang SY12M-FX-BK Ultra Wide Angle Lens is a manual focus, wide-angle lens with an aperture range of f/2. 0 to f/22 and a minimum focusing distance of 0. 2m / 7. 9″. The lens features 12 elements in 10 groups with 1 hybrid aspherical (H-ASP) + 1 aspherical (AS) + 1 low dispersion (ED) high precision glass lens element for superior image quality.

It has a focal length of 12mm (18mm equivalent on 35mm cameras) and a minimum aperture of f/22. The Nano Coating System (NCS) used on this lens helps reduce internal reflections while also increasing light transmission through the lens.

In addition to the Nano Coating System, this lens also utilizes an MSC (Motion Sensor Compensation) technology that increases autofocus speed by up to 40%. This feature allows you to shoot accurately in low-light conditions where autofocus may be difficult or impossible. For greater versatility, the SY12M-FX-BK also accepts 67 filters including circular polarizers, ND gradients, and more.

The Sigma 10-20mm f/3.5 EX DC HSM ELD SLD Aspherical Super Wide Angle Lens is a compact, fast, and extremely high-performance ultra-wide-angle lens for both Nikon and Canon digital SLR cameras.

The large aperture of F3.5 makes this lens ideal for low-light photography and videography. The Hyper Sonic Motor ensures silent, high-speed autofocus while the Super Multi Coating reduces flare and ghosting. The ultra-wide-angle of view makes it perfect for shooting in tight spaces and indoors, as well as in landscapes and architecture.

The Aspherical lenses perfectly correct coma aberration that often occurs in wide-angle lenses with a large aperture. Coma aberration causes points of light in the corners of an image to appear distorted like comets’ tails. This lens also has inner focusing for fast autofocus performance with full-time manual focus override capability. The focus ring will rotate during autofocus but will not rotate during manual focus which makes manual focusing easy and precise.

Canon EF 17-40mm f/4L USM Ultra Wide Angle Zoom Lens, is a high-performance super wide-angle zoom lens with a focal length range of 24-64mm and an effective focal length range of 17-56mm. This lens offers the 35mm film equivalent of a 16.8-56mm lens, covering a wide range from landscape to portrait photography. Its fast f/4 maximum aperture is effective in low light situations and enables greater control over the depth of field for greater photographic expression.

An ultrasonic autofocus motor provides quick, quiet, and smooth autofocusing action. The focusing ring rotates during AF operation so manual focus is possible at any time simply by rotating the ring. A built-in distance scale allows you to accurately determine the distance from your subject in meters or feet.

The filter size is 77mm and has 7 circular diaphragm blades. This Canon EF 17 40 mm F/4 L USM Ultra Wide Angle Zoom Lens has a minimum focusing distance of 0.9 ft / 0.3 m which makes it ideal for close-up shots of small objects such as flowers or insects where you need as much background in focus as possible.

The Samyang SYIO14AF-E 14mm F2.8 Full Frame Auto Focus Lens is a manual focus lens that offers a wide-angle of view on both APS-C and full-frame cameras. It is suitable for landscape photography as well as architectural photography and can be used with or without an adapter to fit different types of cameras. The lens features an integrated autofocus motor, which allows it to work in conjunction with most cameras on the market today.

The lens has no optical image stabilizer, but it does have UMC anti-reactive coatings, three Aspherical lens elements, and two ED lens elements which help reduce chromatic aberrations and distortion for clearer images. It also has a minimum focusing distance of just 0.24m which allows you to get very close to your subject for clear macro shots.

This lens is constructed of high-strength aluminum alloy housing; with 14 elements in 10 groups. The integrated autofocus motor works in conjunction with the wide angle of view to provide sharper images than other similar lenses on the market today.

The Nikon AF-S NIKKOR 50mm f/1.8G Lens is a bright, lightweight fast normal prime lens that’s ideal for travel and street photography. It has a fast aperture of f/1.8 for low light shooting, with the ability to create a shallow depth of field effects. The AF-S NIKKOR 50mm f/1.8G Lens is also useful for general photography applications where standard or normal focal length lenses are generally used.

The AF-S NIKKOR 50mm f/1.8G Lens is designed for full-frame FX-format DSLRs, but it can also be used with DX-format DSLRs where it provides an equivalent focal length of 75mm. When mounted on a DX-format DSLR, the user will enjoy an angle of view similar to that of a 90mm lens used on a 35mm film SLR, or a 75mm lens when used on a full-frame sensor camera.

When mounted on DX-format DSLRs, users will enjoy the enhanced performance while using their cameras in low light situations as well as when shooting video due to its fast f/1.8 maximum aperture throughout the entire zoom range.

The Canon EF-S 10-18mm f/4.5-5.6 IS STM Lens is an ultra-wide zoom lens with a fixed maximum aperture of f/4.5 that provides wide-angle views on APS-C Canon DSLRs. The EF-S mount lens features a stepping motor for noise-free video shooting and an optical image stabilizer to reduce the effects of camera shake when working in dim lighting conditions.

The 10-18mm focal length provides a wide-angle view on full-frame cameras and a moderate wide-angle view on APS-C bodies. A moderately wide angle of view is great for landscape photography and architecture. When used on an APS-C body, this lens provides an equivalent focal length of 15.9-27mm, making it ideal for shooting interior spaces or landscapes where a wider perspective is desired.

The stepping motor drive system provides quiet and smooth autofocus operation when shooting video or taking photographs in Live View mode without the need for manual focusing adjustments during recording. Full-time manual focus override is also available for quick adjustments to focus distance during video recording or still photography.

The Sony SEL1224G 12-24mm f/4-22 Fixed Zoom Camera Lens is a wide-angle to ultra-wide-angle zoom lens designed for full-frame E mount mirrorless cameras. It features a constant F4 maximum aperture that maintains exposure levels throughout the zoom range and provides a shallow depth of field when shooting with a narrow aperture. The 7-blade circular aperture contributes to smooth bokeh when using selective focus techniques.

The lens utilizes a constant F4 max aperture across the entire zoom range, which allows you to maintain proper exposure throughout the zoom range. In addition, this also allows you to create a shallow depth of field when shooting with a narrow aperture.

The lens is constructed with 11 elements in 8 groups and includes one aspherical ED glass element, three ED glass elements, and four aspherical glass elements with Nano AR Coating to reduce flare and ghosting for increased contrast and clarity. It also uses ZEISS T* coating to reduce reflections from non-metallic surfaces as well as increase light transmission efficiency.

Nikon AF-S NIKKOR 16-35mm f/4G ED VR is a wide-angle to a normal zoom lens that covers a range of focal lengths from wide to short telephoto. It’s ideal for landscapes, architectural shots, weddings, as well as everyday photography.

The lens features Nikon’s Vibration Reduction (VR) technology which reduces camera shake by up to four stops. This means you can use slower shutter speeds than normally required, or have more control over the depth of field in low light situations without having to resort to using the flash.

The vibration reduction system works in conjunction with Nikon’s Active D-Lighting function on select DSLR cameras, allowing you to capture more detail in highlights and shadows when using slower shutter speeds.

The lens is constructed from 17 elements in 12 groups with two ED glass elements for reduced chromatic aberrations. It also has Nano Crystal Coat (N) coating on the front element that helps reduce ghosting and flare caused by reflections from other objects within the frame. The lens also features an internal focusing mechanism which means there’s no change in overall length while focusing.

The Tokina 17-35mm F/4 at-X Pro fx Lens for Canon is a wide-angle to a short-telephoto zoom lens that provides a 35mm focal length equivalence of 24-52.5mm. It offers a fast f/4 maximum aperture and the ability to focus as close as 9.8″ throughout the entire zoom range for excellent low-light performance and shallow depth of field control. Three LD elements, three SD elements, and one Hybrid aspherical element help reduce aberrations and distortion throughout the zoom range while also contributing to an overall compact design that remains easy to handle.

The autofocus system uses a ring-type Ultrasonic Motor (USM) for quick, quiet, and precise focusing when shooting still images or video with compatible cameras. The inner focusing system also allows this lens to consistently maintain its size regardless of the focusing distance.

This lens has been optimized for use with full-frame cameras but can also be used on APS-C models where it provides angles of view similar to what an 85mm lens would produce when used on a 35mm format camera.

The Rokinon TSL24M-C 24mm f/3.5 Tilt Shift Fixed Lens is a tilt-shift lens that provides up to ±8.5° of tilt and ±12mm of shift, allowing photographers to control the plane of focus and create images with an exaggerated perspective. This lens has been constructed for full-frame cameras but can also work on APS-C format cameras. It takes an 82mm filter size and is not zoomable.

The Rokinon TSL24M-C 24mm f/3.5 Tilt Shift Fixed Lens is a tilt-shift lens that provides up to ±8.5° of tilt and ±12mm of shift, allowing photographers to control the plane of focus and create images with an exaggerated perspective. This lens has been constructed for full-frame cameras but can also work on APS-C format cameras. It takes an 82mm filter size and is not zoomable.

This lens offers a 24-megapixel coverage on full-frame format DSLRs, allowing you to capture sharp, detailed images at all focal lengths throughout your zoom range with minimal chromatic aberrations or distortions caused by different focal lengths.