10 Best Lens For Car Photography 2022 – Reviews

This post was most recently updated on May 14th, 2022

Best Lens For Car Photography

If you’re a car photographer or just a fan of cars, then you know that capturing the perfect shot of your favorite car is no easy task. Whether you are shooting stills or action shots, there are some challenges that you will face whenever you shoot a car.

When it comes to car photography, many different lenses can be used to capture your subjects. With so many different options, it’s important to understand what each lens offers and how it will impact your images.

When it comes to the subject of car photography, several factors can influence your choice of lens. The most important factor is whether you want to be able to capture close-up shots and high-resolution images or if you want to be able to shoot from further away with a wider angle of view.

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The wider your focal length, the more depth of field you will have. This means that it will be easier to capture cars from multiple angles in one photograph. If you’re only shooting one angle at a time, you may want a longer focal length so that you can zoom in on details such as wheels or headlights.

The Canon EF 50mm f/1.4 USM is a standard prime lens with a focal length of 50 mm and a maximum aperture of f/1.4. The optical design includes 7 elements arranged in 6 groups, with 2 high-refraction lens elements and new Gaussian optics that suppress astigmatism and suppress astigmatic difference.

A floating focus mechanism provides consistently high image quality throughout the focusing range from infinity to 1.0 m (3.3 ft.). An Ultrasonic Autofocus Motor (USM) operates quietly and smoothly for shooting movies as well as still photos, and a full-time manual focus override allows manual adjustments without having to switch out of autofocus mode first.

This large aperture standard prime lens has superior peripheral brightness even at the maximum aperture, making it effective in a multitude of shooting situations, whether it be portraits or landscapes, or any other subject matter where background blur is desired. An f/1.4 maximum aperture provides clear imaging in low light situations and shallow depth of field so you can shoot with confidence even when available light is limited.

Sony has always been known for its high-quality lenses and the new Sony SEL85F18 85mm F/1.8-22 Medium-Telephoto Fixed Prime Camera Lens is no exception. This lens is a perfect addition to any photographer’s kit who likes to shoot portraits and get beautiful bokeh effects in their images. The lens has an aperture of F1.8-22, which allows you to take beautiful, soft backgrounds in your images.

The lens has an ED glass element that helps to ensure that you get corner-to-corner sharpness with no issues at all on your photos. It also features a 9-Blade circular aperture that creates beautiful round defocused bokeh when you use shallow depth of field techniques in your photography.

You can use this lens as either a manual focus or autofocus lens with its integrated Double Linear Motor System, which provides super-fast and accurate focusing abilities for shots that require it. The maximum magnification ratio is 0.13 and the angle of view is 29 degrees when using this lens on an APS-C camera like the Sony A7R II or A6300 series cameras.

The Nikon AF-S NIKKOR 50mm f/1.8G lens is the first FX-format autofocus lens to offer a maximum aperture of f/1.8 and is ideal for shooting in low light conditions. The fast maximum aperture also makes it extremely useful for shooting indoor sports and weddings, or for isolating your subject against a busy background.

The AF-S NIKKOR 50mm f/1.8G lens is designed exclusively for use with Nikon DX-format digital SLR cameras (APS-C size sensor). It will provide an angle of view similar to that of a 75mm lens on a 35mm camera, making it ideal for portraits, landscapes, and snapshots.

The fast maximum aperture of f/1.8 makes it easy to blur backgrounds for creative portrait shots or shallow depth of field effects in any shooting situation. The lens also features Nikon’s exclusive Silent Wave Motor (SWM) which enables fast and quiet autofocusing with full-time manual focus override capability.

The Tamron 28-75mm F/2.8 Di III RXD is a full-frame mirrorless interchangeable lens designed to cover an equivalent focal length of 35mm to provide wide-angle to medium telephoto coverage on Sony’s E-mount cameras.

It features a fast f/2.8 maximum aperture, an ultrasonic motor for quick and silent autofocus performance, and a rounded nine-blade diaphragm for pleasing bokeh effects. The optical design includes one aspherical element to help control chromatic aberrations, while internal focusing provides fast autofocus performance along with consistent overall lens length throughout the zoom range.

Superb optical performance, including both outstanding image quality and beautiful background blur effects (bokeh), is provided by a fast f/2.8 aperture. Comfortably lightweight and compact. Maximum Magnification Ratio: 1:2.9 (Wide); 1:4 (Tele) Close-focusing; minimum object distance: 7.5 in at wide-angle setting and 15.3 in at the telephoto position. All-new “rxd” stepping motor AF unit is extremely quiet and therefore perfect for video capture. Moisture-resistant construction and fluorine coating for weather protection.

The Samyang SYIO3514-E AF 35mm f/1.4 Auto Focus Wide Angle Full Frame Lens is a wide-angle full-frame lens with a maximum aperture of F1.4. It is compatible with Sony FE mount cameras and weighs 1.4 pounds without the lens cap or hood. The minimum focusing distance is 0.98 feet, which provides excellent close-up shooting capabilities.

The optical construction of this lens consists of 11 elements in 9 groups and uses an ultra multi-coated glass for razor-sharp images with minimal flare and glare. The aperture range of F1.4-F16 allows you to shoot at a wide-open aperture for beautiful background blur or stop down for increased depth of field control.

This lens uses 67mm filters in front of its 11 elements in 9 groups design, which helps keep the size and weight down while providing high-quality images with minimal flare and ghosting effects when shooting in bright conditions where light sources may be present around or behind your subject matter (such as the sun).

Sigma 18-35mm f1.8 DC HSM Art lens is the company’s first autofocus prime lens to offer an aperture of f1.8. It’s a wide-angle to a standard zoom lens with a 35mm focal length equivalent to 28-56mm in full-frame terms.

The maximum aperture of f1.8 allows for exceptional low-light performance and shallow depth of field control. A ring-type ultrasonic type autofocus motor and full-time manual focus override provide high-speed focusing even during video recording or Live View shooting.

In addition, the Hyper Sonic Motor (HSM) ensures quiet, smooth, and precise autofocus operation. The lens incorporates four SLD glass elements which reduce chromatic aberration and distortion for clear and sharp images throughout the zoom range as well as one glass mold element that achieves excellent correction for all types of aberration including coma flare, astigmatism, and distortion.

The optical design also includes an Aspherical Low Dispersion (ASLD) glass element to significantly reduce color fringing and chromatic aberrations throughout the entire zoom range while minimizing ghosting caused by reflections off the internal lens surface while shooting

The Sony FE 24-105mm F4 G OSS Standard Zoom Lens is a high-quality lens designed for full-frame E-mount cameras. It covers a wide 25mm to 105mm focal length range, making it an ideal standard zoom lens. The lens has a constant F4 maximum aperture throughout its zoom range and features 4 aspherical and 3 ED glass (extra-low Dispersion) elements for high corner-to-corner resolution. The 9-blade circular aperture creates beautifully de-focused backgrounds.

The Sony FE 24-105mm F4 G OSS Standard Zoom Lens features a fast and accurate direct drive Super Sonic motor system that uses ultrasonic pulses to move the autofocus mechanism quickly, resulting in smooth and quiet operation during video recording. Manual focus is also possible with focus ring rotation or the AF/MF switch.

The compact design of this standard zoom lens makes it well suited for use with mirrorless cameras like the Sony A7r III where space is at a premium, but its optical performance remains unrivaled by any other standard zoom lens in its class.

The Canon EF-S 24mm f/2.8 STM is a wide-angle lens for Canon APS C cameras (equivalent to 38 millimeters on a full-frame camera). The lens is designed for Canon EOS cameras with an APS-C size sensor and provides a 35mm focal length equivalency of 38 mm. Its maximum aperture of f/2.8 is ideal for low light photography or shooting in difficult lighting conditions, such as indoors or at dusk.

The lens has a slim design, making it lightweight and portable. It also has a minimum focusing distance of 0.16 meters /0.5 feet, which allows you to focus on close subjects easily. The circular 7-blade diaphragm helps create smooth out-of-focus areas in your images while giving them their characteristically soft effect.

The EF-S 24mm f/2.8 STM features full-time manual focus adjustment, so you can manually adjust focus while shooting in One-Shot AF mode or MF mode by simply turning the focusing ring on the lens barrel until your subject comes into sharp focus.

The Fujifilm XF55-200mmF3.5-4.8 R LM OIS is a telephoto zoom lens for APS C format Fuji X mount cameras. It has a 55-200mm equivalent focal length and an aperture range of F3.5 4.8 with a minimum focus distance of 1.10m/43.41 inch.

The lens is dust and weather resistant, it has an electronic diaphragm with stepper motor-driven autofocus and optical image stabilization (4.5 stops claimed) with 3 position switches to choose between auto, off, or on modes. It has 62mm filters and is not powered by batteries since they are not required due to the design of the lens’ AF system which uses a built-in ring ultrasonic motor (USM).

The lens features 7 elements in 6 groups designed with one aspherical element, one super ED glass element, one ED glass element, two HR elements, and two aspherical surfaces on each side of the rear group all housed inside 11 elements in 8 groups design Ultra Multi Coating (UMC).

The Sigma 10-20mm f/3.5 EX DC HSM ELD SLD Aspherical Super Wide Angle Lens is a wide-angle zoom lens with an exceptionally large maximum aperture of F3.5. This lens provides photographers with a very wide angle of view and is especially useful in landscape photography and indoor photography.

The Hyper Sonic Motor (HSM) ensures silent, high-speed autofocusing, while the use of aspherical lenses makes it possible to correct coma aberration for sharp images with high contrast and superior peripheral brightness even at the edges of the image field.

The Super Multi-Layer Coating reduces flare and ghosting resulting from reflection at interfaces between different materials. The coating also helps suppress internal reflections within the lens, so that more light reaches the sensor or film for improved contrast and color balance.

This lens has an inner focusing system that moves only the inner lens group during focusing so that no changes occur in the outer lens size or length of the overall system. This feature not only makes it possible to maintain a compact camera body but also makes it possible to reduce chromatic aberrations effectively.