10 Best Canon Wide Angle Lens For Video 2022 – Reviews

This post was most recently updated on May 14th, 2022

Best Canon Wide Angle Lens For Video

The Best Canon Wide Angle Lens For Video is all you need if you are looking to capture sweeping landscapes, and this ultra-wide zoom lens is capable of 180° diagonal angle of view image captures.

In this era of smartphones, creating videos has become easy and accessible for everyone, even if you don’t know about the technicality of videography.

Read Also: 10 Best Wide Angle Lens For Canon 6D Mark II 2022 – Reviews

Nowadays, video has become the most common way to spread your thoughts and words. Brands and websites commercialized their product through video. Still, professional videographers have their value in place, and we always depend upon them for filming our special occasions.

Fortunately, Canon EF lenses are the best ones you can ever get to make your videos look more professional. You can find a wide variety of lenses at many different price points, depending on what you will be using them for or what type of camera body you have.

The EF-S 10-18mm f/4.5-5.6 IS STM Lens from Canon is an ultra-wide zoom lens designed specifically for EOS APS C cameras. It provides a 35mm focal length equivalence of 16-28.8mm, making it an ideal lens for landscapes and other wide format photography.

Optical Image Stabilization helps to minimize the appearance of camera shake by up to 4 stops for sharper imagery when shooting handheld with slower shutter speeds. This stabilization system also preserves the use of slower shutter speeds for intentionally blurring movement in your images in low light situations and also has a panning detection mode that disengages stabilization in either vertical or horizontal directions for smoother panning shots.

A high-speed CPU and improved AF algorithm enable high-speed AF performance and ensure that this lens is both fast and accurate, regardless of the situation. A circular 7 blade aperture produces beautiful, soft backgrounds and a stepping motor (lead screw-type STM) supports the Movie Servo AF feature in Canon’s EOS Rebel T4i DSLR camera, which offers smooth and quiet continuous AF during video shooting.

The Rokinon Cine CV35-C is a 35mm fixed focal length lens that offers the same outstanding optical quality as the highly rated Rokinon 35mm f/1.4 lens.

The Rokinon Cine CV35-C features a de-clicked aperture ring, an aperture range of T/1.5 to T/22, and a manual focus design. To achieve excellent image quality in video production, it is essential to have a fast lens with an excellent optical performance and low distortion that can deliver sharp images at close focus distances.

Rokinon provides just such a lens in their popular 35mm fixed focal length range with the Rokinon CV35-C; and even though this isn’t their most popular lens (the 35mm f/1.4 is still one of their best sellers), it’s one of my favorite lenses for both video and photography because it delivers sharp, high contrast images at close distances and f/1.5.

While the optical design is brilliant, the real reason this lens continues to sell so well is its price: $350 street price. At that price point, it’s comparable to most of the other high-quality manual focus lenses on the market.

The Sigma 18-35mm 1.8 DC HSM Art is a new benchmark in Photo and Cine lenses, delivering an exceptional combination of precision optics, extended versatility and high performance for DSLR cameras with APS-C sized sensors (equivalent in the angle of view to 27-52.5mm on a full-frame camera). Specifically designed for APS-C sensors, this lens incorporates both three Special Low Dispersion (SLD) glass elements and four aspherical lenses to achieve optimum image quality with all types of digital cameras.

In addition to the wide focal length range between 18mm and 35mm, a large aperture of F1.8 throughout the entire zoom range makes it easy to create artistic images using the shallow depth of field technique. The Sigma 18-35mm 1.8 can focus as close as 11 inches from the front of the lens at any focal length, and its Hyper Sonic Motor (HSM) ensures quiet, high-speed autofocus while producing sharp images.

The precise optical construction also incorporates Super Multi-Layer Coating to reduce flare and ghosting, making this an ideal lens for backlit conditions or when shooting with bright lights in the frame.

Canon EF 135mm f/2L USM Lens for Canon SLR Cameras: The Canon EF 135mm f/2L USM Lens is a high-performance telephoto lens with an ultra-large aperture for easy low light photography and shallow depth of field control.

It has two high refraction lens elements, a UD lens element and an aspherical lens element to correct aberrations and provide excellent imaging performance with high resolution and contrast. Its Micro UltraSonic Motor (USM) gives silent and high-speed autofocus with a full-time manual focus option.

It has a rear focusing system with the ring-type USM and a high-speed CPU with optimized AF algorithms to achieve quick autofocusing. The optimized lens coating ensures exceptional color balance while minimizing ghosting and flare.

Its Super Spectra Coatings offer superior contrast, accurate color balance, neutral color rendition, and minimal flare. It has a minimum focusing distance of 3.5 ft./1m at all zoom settings. A circular aperture creates out-of-focus backgrounds that are pleasing and natural-looking.

This telephoto lens can be used in a wide variety of situations including weddings, portraits, sports photography, nature shots, or anytime you need to isolate a subject or eliminate unwanted backgrounds.

The Rokinon 8mm f/3.5 Fisheye Lens for Canon is a manual focus, manual aperture lens for Canon DSLR cameras. This lens covers an ultra-wide, 180° diagonal angle of view and has been designed to provide the highest levels of image quality possible.

With hybrid aspherical lenses and a minimum focusing distance of only 12″ (30.48 cm), this lens is perfect for interior, architectural, and landscape photography as well as creative uses in any photographic application!

One extra-low dispersion (ED) glass element minimizes chromatic aberration and assures high resolution and high contrast images even at the widest aperture settings. A built-in petal-shaped lens hood prevents flare by blocking stray light.

Manual focus and aperture control are advantageous when you want to set exposure while viewing images on an external monitor or when you want to use the camera’s live view mode to manually focus on the desired subject.

The lens has a manual aperture ring, which can be set from 3.5 to 22. To change the focus, you have to physically turn the front of the lens (it’s not smooth though, there are few stops), and it turns very easily. It is small and lightweight so it’s easy to carry around for long periods without getting too tired.

The Rokinon 85mm f/1.5 Aspherical Lens is a high-speed telephoto lens optimized for digital cinematography and high-resolution photography. The lens features an aperture range of t/1.5-22 and is de-clicked for smooth iris pulls. This lens also features a follow focus compatible design that enables the user to focus and use the aperture ring without interrupting video shooting.

This lens utilizes an aspherical lens element to reduce spherical aberrations, maintaining image sharpness and clarity throughout the aperture range. Its multi-layer coating minimizes flare and ghosting for increased contrast and color accuracy when working in strong lighting conditions. A built-in petal-type lens hood helps block stray light from causing flare, increasing contrast and color saturation.

The lens’ manual focus design provides users with the ability to creatively control the plane of focus in their shots, making it ideal for portraiture where the selective focus is used to isolate subjects from their backgrounds. The Rokinon 85mm f/1.5 Aspherical Lens incorporates a Nikon F mount, making it compatible with Nikon DSLRs featuring a full-frame or APS-C sized image sensors.

The Canon EF-S 55-250mm f/4.0-5.6 IS II Telephoto Zoom Lens is a compact and lightweight telephoto zoom lens that is specifically designed for EOS Digital SLR cameras with APS-C sized image sensors. The focal length is equivalent to 88-400mm in the 35mm format. Combining powerful performance with high image quality, this lens offers the equivalent of acquiring two lenses in one since it effectively doubles the zoom range of the camera body at a cost far less than buying two separate lenses.

The built-in Image Stabilizer Technology steadies camera shake up to three stops and provides photographers with effective shooting performance in low light situations without having to increase ISO sensitivity or use flash. And, as a bonus, Canon’s Optical Image Stabilization technology allows photographers to capture close-up action shots without having to worry about blur due to camera shake — even when capturing at full zoom.

This lens can focus as close as 3.6 ft./1.1m throughout its entire zoom range, which makes it ideal for shooting sports, portraits, and wildlife.

The Rokinon 8mm Fisheye is a prime fisheye lens for Nikon digital SLR cameras. It provides a 180-degree angle of view and features a hybrid aspherical lens element, a multi-layered coating to reduce flare, and a built-in petal-type hood.

The rounded image that the Rokinon 8mm produces is intended for dramatic effect, conveying engrossing depth, placing the viewer in the center of the action, and adding a creative touch to your video and stills. The diagonal angle of view can be seen easily by extending your arms out and pointing your fingers to each corner of the frame.

The Rokinon HD8M-N 8mm F/3.5 HD Fisheye Lens is built specifically for use with APS-C format cameras and will provide an even wider field of view when used with cameras featuring an APS-C sensor. With smaller sensors, such as those found in Micro Four Thirds cameras, the effect will be even more pronounced.

The EF 70-200mm f/4L IS II USM Lens from Canon is the long-awaited update to the popular L-series EF 70-200mm f/4L IS USM. This new lens features a series of updates that make it an even more attractive lens option for many types of photographers including sports, wedding, and event shooters as well as photojournalists and nature and wildlife enthusiasts.

The first change is the addition of a new Air Sphere Coating (ASC) on the front element, which further reduces flare and ghosting for improved contrast when working in bright, backlit conditions. Also, the lens has been improved with enhanced weather sealing that makes it much more resistant to dust and water.

The zoom action has also been smoothed out with a fluorine coating on the front and rear elements, making it easier to zoom, especially in cold weather. As a result of these updates, this lens is now compatible with the optional A II (W II) tripod mount ring accessory.

The Tokina 11-16mm F/2.8 AT-X Pro DX II Lens is a high-performance lens designed for digital SLR cameras with APS-C size sensors (or smaller). This wide-angle zoom lens gives you a 35mm focal length equivalency of 17.7-25.3mm on Nikon digital cameras and 17.6-24mm on Canon digital cameras, providing a wide-angle of view that is great for landscape photography, interiors, and architecture. This lens cannot be used with full-frame DSLR cameras.

The f/2.8 aperture is constant throughout the zoom range and the ultra-wide aperture makes this a great lens to use in low light situations, such as indoors or for nighttime photography. It also creates a beautiful background blur when shooting at a large aperture setting. The front element does not rotate during focusing so it is convenient to use circular polarizing filters (not included).

This lens is fast and sharp and its optics are optimized for digital SLR cameras to give maximum image quality from center to edge. It has internal focusing so the front element does not rotate during focusing and there is no change in length so using it with a petal-type hood or polarizing filter is easy and convenient.