10 Best Canon Lens For Wedding Photography 2022 – Reviews

This post was most recently updated on May 5th, 2022

Best Canon Lens For Wedding Photography

A wedding photographer is required to capture everything from beautiful portraits of the bride and groom to candid photos of their guests, as well as important events happening throughout the day. The best Canon lenses for wedding photography are the ones that allow you to take these photographs in any environment and at any distance without sacrificing quality.

The wedding photography industry has expanded greatly over the last decade. Now, it is a highly competitive and demanding field. This is due to a myriad of reasons, not least of which is the wide availability of good quality, affordable digital cameras.

For these reasons, it’s important for photographers to constantly evolve and upgrade their skill set. While most photographers are aware that a good camera is an essential piece of equipment, very few of us understand how important the right lens can be.

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When it comes to wedding photography and finding the Best Canon Lens For Wedding Photography, there are two main factors you need to consider: aperture and focal length. The aperture determines how much light will be allowed through the lens, while focal length determines what distance from the subject you can focus on your image with sharp clarity. Take a look at our Best Canon Lens For Wedding Photography:

The Canon EF 100mm f/2.8L Macro IS USM Lens from Canon is the L-series version of the popular macro lens, with a fast f/2.8 aperture, 1:1 life-size magnification, and built-in image stabilization for handheld work at slow shutter speeds.

The 100mm focal length has proven ideal for close-up work, allowing you to get in close without casting unwanted shadows over your subject, and the perspective it offers is flattering and natural for portraits. The optical construction employs an Ultra-Low Dispersion glass element to minimize chromatic aberration, while a Super Spectra coating suppresses flare and ghosting for improved contrast and color fidelity.

A floating focusing system helps ensure a high degree of sharpness throughout the focusing range, right down to full 1:1 magnification and a minimum focusing distance of 11″. The ring-type USM motor provides fast and quiet autofocus performance, as well as a full-time manual focus override.

An electromagnetic diaphragm (EMD) helps ensure high precision during continuous shooting sequences when using compatible cameras, such as the EOS 5D Mark IV or 7D Mark II. This updated lens features enhanced image stabilization technology with four stops of compensation to help you shoot more confidently

The Canon RF 85mm F1.2 L USM is a large-aperture medium telephoto prime lens with an 85mm focal length and a fast maximum aperture of f/1.2, providing excellent performance and operability for professional photographers.

A control ring on the lens barrel enables direct setting changes to numerous shooting settings including aperture and ISO speed, while the large diameter of the lens’ rear mount allows signals to pass at high speeds, enabling high-speed communication with the EOS R series cameras. Its optical design features Blue Spectrum Refractive Optics (BR Optics) that reduces chromatic aberrations and a Subwavelength Structure Coating (SWC) that cuts back ghosting and flare.

High Image Quality The lens’ optical design includes one aspherical element, which helps reduce spherical aberration and distortion for notable sharpness and accurate rendering. A UD lens element also contributes to minimizing chromatic aberrations to achieve greater color accuracy and clarity.

Bright f/1.2 Aperture The bright f/1.2 maximum aperture excels in low-light conditions and also offers extensive control over the depth of field for isolating subjects using selective focus.

The RF 50mm F1.2L USM lens is the first L-series lens designed specifically for Canon’s new EOS R full-frame mirrorless camera system. It is also the first RF mount lens to include a Control Ring that enables direct setting changes.

The RF 50mm F1.2L USM lens delivers beautiful, soft backgrounds with spectacular bokeh thanks to a combination of a bright f/1.2 maximum aperture and an impressive optical design that helps minimize aberration, flare, and ghosting. Three aspherical elements and one UD element help reduce chromatic aberration and color blurring around the edges of the subject, producing images and video with stunning sharpness and clarity.

A twelve-pin communication system provides high-speed autofocus, which is fast and virtually silent thanks to an Ultra Sonic Motor (USM). The RF 50mm F1.2L USM also features a customizable control ring on the lens barrel for quick adjustment of exposure settings. Whether capturing still images or video, photographers can count on the RF 50mm F1.2L USM lens to deliver superb results in any situation where beautiful background blur is desired, including weddings, portraits, and everyday snapshots.

The 35mm focal length pairs with a bright f/1.4 maximum aperture to enable effective shooting in difficult lighting conditions and also affords greater control over the depth of field for isolating subject matter. The lens’ Super Spectra coatings have been applied to individual elements to minimize flare and ghosting to achieve higher contrast and color fidelity when working in strong lighting conditions.

A Subwavelength Coating (SWC) has also been applied to lens elements, which greatly reduces lens ghosting and flare for greater contrast and color neutrality. The floating optical system is used to maintain image quality throughout the focusing range, from 0.92′ to infinity.

An ultrasonic autofocus motor (USM) is employed to deliver fast, precise, and quiet focusing performance that suits both stills shooting as well as movie recording applications. Additionally, a manual focus override function enables refined focusing precision for critical control when shooting subjects requiring exacting focus control, such as portraiture or macro imagery.

The EF 85mm f/1.8 USM is a highly practical medium telephoto lens with superb delineation and portability. With an f/1.8 maximum aperture, it is effective in low light and ideal for shallow depth of field focus control. Its circular 7-blade design gives beautiful bokeh background blur so it’s perfect for portraits with softly blurred backgrounds.

This lens is great for capturing sharp images of people, including indoor sports and events as well as portraits on location. The built-in autofocus motor makes autofocusing much quicker and quieter than the old model. The 85mm focal length has been a popular choice among many photographers because it can be used for a variety of subjects from group shots to full-length portraits and even street photography!

The EF 85mm f/1.8 USM prime lens is an excellent choice for portraits and general photography. Its fast maximum aperture lets you shoot in low-light conditions, while the large f/1.4 aperture creates beautiful bokeh that will make your photos stand out from other lenses at this price range! It’s also perfect if you’re looking to take pictures of people.

The Canon EF 135mm f/2L USM Lens is a professional L-series telephoto lens with the superior optical performance. It features two ultra-low dispersion glass elements that correct chromatic aberrations to provide sharp and high contrast images even at maximum aperture settings.

The Super Spectra coating suppresses flare and ghosting for increased contrast, accurate color balance, and true-to-life image reproduction. The micro-ultrasonic motor (USM) provides fast, smooth, and quiet autofocusing, while the full-time manual focusing allows you to manually adjust the focus without switching out of AF mode.

With its circular aperture diaphragm, this 135mm lens from Canon delivers attractive background blur when shooting portraits. Additionally, the ring-type ultrasonic motor delivers high-speed performance for both still and video shooting applications.

The Canon EF 16-35mm f/2.8L III USM is the latest update to the acclaimed L-series ultra-wide zoom lens. A staple for professional and enthusiast photographers, this lens is characterized by its constant f/2.8 maximum aperture, sophisticated optical design, and rugged construction.

Its redeveloped optical formula now features three Aspherical elements, which help to reduce spherical aberrations and distortions throughout the zoom range to realize a high degree of sharpness and accurate rendering.

An Air Sphere Coating has also been applied to lens elements to reduce flare and ghosting for greater contrast when working in strong lighting conditions. Additionally, this lens utilizes a Ring-Type Ultrasonic Motor for quick and quiet autofocus performance as well as full-time manual focus override.

This lens also sports a durable design that is both dust-and water-resistant and able to perform in temperatures as low as 14°F. A Fluorine coating has also been applied to the front element to protect against fingerprints and smudging. The lens is rounded out by a removable rotating tripod collar that is compatible with Arca-type tripod heads for easier use atop a tripod or monopod.

The Canon RF 70-200mm F2.8 L IS USM Lens from Canon is a high-performance telephoto zoom lens compatible with the Canon EOS R system of cameras. It has a bright f/2.8 constant maximum aperture and optical image stabilization, providing up to 5 stops of shake correction.

This lens is also weather-sealed and has a fluorine coating on the front element to protect against dust, moisture, and smudges. As with all L-series lenses, this lens features superb build quality with metal exterior construction, a large control ring for intuitive manual focus control, and a customizable control ring for adjusting ISO, aperture, or shutter speed.

The optical layout consists of 20 elements in 15 groups including 1 Super UD element and 2 UD elements that effectively reduce chromatic aberrations throughout the zoom range as well as limit color fringing and colored bokeh for improved contrast and clarity in images. The Super Spectra coating has been applied to individual elements to minimize lens flare and ghosting for better contrast and color neutrality when working in strong lighting conditions.

The Canon EF 24-70mm f/2.8L II USM is the latest update to the acclaimed L-Series of EF optics, re-establishing a new standard for superb optics, high-end durable construction, and performance in professional zoom lenses.

This lens has been re-designed with the best in class optical performance in mind and features 3 high precision aspherical lens elements, each of a different type: ground, replica, and GMo for even better image quality than the original EF 24-70mm f/2.8L USM. Its constant f/2.8 maximum aperture and 7-blade circular aperture enable beautiful background blur and more control over the depth of field.

With its rugged design that is dust and water-resistant, it’s designed to keep on going even in the most demanding of environments. It features fluorine coatings on the front and rear lens surfaces that help reduce smears and fingerprints, further enhancing its use in harsh conditions. The lens also features Sub Wavelength Coating (SWC) and Air Sphere Coating (ASC) to significantly reduce ghosting and flaring for improved contrast when working in backlit conditions.

The Canon EF 50mm f/1.8 STM Lens is a compact and affordable prime lens. With an 80 millimeter effective focal length on APS-C cameras and 50 millimeters on full-frame cameras, it’s an excellent prime lens for portraits, action, and nighttime photography.

Its bright maximum aperture of f/1.8 helps it not only to excel in low light but also to capture gorgeous, sharp images and movies with beautiful background blur thanks to its circular 7-blade design. An updated lens arrangement with new glass materials helps render images with excellent color balance and provides even better correction of lateral chromatic aberration.

Performance is brilliant even at the maximum aperture setting a benchmark for a fast standard lens A bright lens (maximum aperture of f/1.8) is just what you need for low light photography—indoors or at night—and for creating images with beautiful background blur (bokeh).

This lens has a maximum aperture of f/1.8 throughout the entire focusing range, making it 2 full stops faster than the previous model (EF 50mm f/1.8 II). Whether you’re taking photos or movies in low light situations or want to achieve a beautiful background blur, this is the ideal fast standard lens.